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At some point the expected Vita revenue and the cost of effort for porting work won’t match any longer. Our cross-platform tech is great and we don’t generally need to do a lot of custom work for any platform, but now that our games like JYDGE and Tesla vs Lovecraft are getting more intense technically, and Vita being a really kind of old mobile device, we’ll need to consider things more carefully. The exception would be a very intensive Vita port, like if we had to optimize a game a lot to make the Vita port work. It’s waning for sure, but currently we think we’ll still be able to turn a profit on a Vita port. Yes, Vita was a really nice addition to our PlayStation revenue a couple of years ago. In general have you found your Vita releases have done comparatively well relative to the home console versions? Discounts are a big part of indie game discover-ability on any platform these days.

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It’s perfectly natural, as the PS4 is just so much larger and the game’s been on several discounts. In hindsight it was probably partly due to Xenoraid launching kind of weak on PS4 initially, but by now PS4 sales have far exceeded Vita. Given the size of the console’s install-base, have you been surprised by the dedication of Vita fans in buying your products? You recently commented that Xenoraid‘s sales on Vita were “surprisingly close” to PS4 sales in North America. But I suppose it’s quite straightforward for them the platform is on exactly to the point upper management says it’s off. Definitely nothing like this /asia/news/6668 3/sony-moving-away-from-vita/ …, ever. But there’s just none of that, not one bit. It’s funny, we’ve been very sensitively listening to any hints of Sony winding down Vita or whatever. Have your contacts at Sony been encouraging to bring your games to the platform or has this waned over time? Seeing the enthusiasm maintains our faith that the market is still there, and porting a game for Vita won’t be a total loss no matter what. But seeing that community, hearing people being eager to have our games on Vita, it keeps up our faith that the platform isn’t dead as so many say. And we’ve watched it decline over the years.

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Like I said, and which is kind of a given, direct revenue from Vita isn’t the same as from a platform with a much larger install base. Vita community is great, and it’s been a major factor in our continued Vita support. Has the community’s feedback convinced you to keep bringing your titles to the handheld? So Vita definitely has had a big effect on 10tons. Although as crossbuy games PS4 gamers got them too.

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Also the two PS+ free games we’ve had thus far have been technically on Vita, Azkend 2 and Neon Chrome. As one would guess, the actual revenue from sales of Vita games have never been huge for us, compared to larger platforms, but we established our contact with Sony on Vita and that was crucial for us to get on PS4 very early on. Do you find the handheld has been a good home for your games? We’re currently very happy to have three strong feet to stand on: Desktop (largely Steam), mobile, and consoles.ġ0tons have been a major supporter of Vita, from its debut year right through to 2017. 10tons has never been a mobile game developer we’re a multi-platform developer and mobile certainly is a platform, or several platforms rather.

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Mobile only came along with iPhone and App Store in 2008, and Android in 2011. Crimsonland for Windows was the first game the studio ever made.

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Are you happy with how the company has grown?ġ0tons developed PC and Mac games for years and years. Your studio seems much more well-known nowadays than during your time creating mobile-only titles.

We aim to distribute our games as widely as we reasonably can. We’ve been a multi-platform developer since start, and that’s very much our core strength. Growth has intentionally been kept conservative. The studio currently employs ten developers. They’ve been among PlayStation Vita’s biggest supporters, bringing nearly every viable title they had to the handheld – so obviously I was interested in finding out more about their thoughts on the machine and its future going forward as well as some questions about their current focus and projects.įirst off, tell me a little bit about yourselves! Who makes up 10tons and what do you all do?ġ0tons was founded in 2003, so we’ll be celebrating 15 years of indie development next year. (which interestingly is how they broken into the gaming world in the first place).

I recently had chance to talk to 10tons, a versatile publisher and developer who seem to dabble in a variety of different genres but have seen recent successes across a variety of genres but not least twin-stick shooters.

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